![]() ![]() There’s nothing cosy or nostalgic about The Incident and it will absolutely set you on edge. A trailer for the film rounds out the disc’s extras and in addition to this also included is an accompanying booklet with writing on the film from Samm Deighan and Barry Forshaw along with a reprint of a ‘survival guide’ pamphlet that was circulated during New York’s crime epidemic. The second commentary from writer Alexandra Heller-Nicholas is completely different, with the focus on the film’s perspective on violence, sexual politics and The Incident’s continuing relevance fascinating and necessary. Peerce remains rightfully proud of his achievement and both are worthwhile. There are two commentaries, the first a conversation between cinema historian Nick Redman and Peerce that goes into detail about the challenges involved in the making of the film and the intent behind it and this is complemented by a 30-min Q&A with Peerce from the 2017 Wisconsin Film Festival. The Incident is a remarkable film that works as both a social commentary in microcosm of the issues of the time it was made and a wider examination of society that speaks to the world we live in now.įor this new release we have a crisp and sharp transfer that showcases the beautifully menacing cinematography of Gerald Hirschfeld and Larry Peerce’s dynamic direction, both working together to make the film vivid and immediate. ![]() The film holds nothing back with the mean-spirited abuse of the passengers cruel and laced with hatred so that the tension and looming promise of explosive violence to come racks up throughout the second half with an unrelenting intensity. It’s here that Joe and Artie effectively hold them hostage for the purposes of tormenting and threatening the group for their own pleasure. #The incident 1967 movieEventually everyone ends up in the same train carriage. The Incident 1967, Mystery & thriller, 1h 39m 88 Tomatometer 8 Reviews 88 Audience Score 250+ Ratings The Incident Photos View All Photos (10) Movie Info On a New York City subway, two young. Meanwhile, as the film’s first half plays out, a disparate set of people are all making their journeys home, including gay man Kenneth, older Jewish couple Sam and Bertha, young soldiers Felix and Phillip, African-American couple Arnold and Joan and others who provide a cross-section of society in much the same way disaster movies of the next decade would. Mugging and beating unconscious a man on his way home, they decide to head to Times Square. As it begins, Joe and Artie are two completely amoral New York hoods out for alcohol-fuelled, criminal thrills in the dwindling late hours of a weekend. Made over 50 years ago, The Incident remains an uncompromising and emotionally savage experience. BAEHR / STARRING: TONY MUSANTE, MARTIN SHEEN, BEAU BRIDGES, BROCK PETERS / RELEASE DATE: OUT NOW That is probably the source of the fascination in this movie and the reason it works even though it isn't done very well.THE INCIDENT (1967) / CERT: 15 / DIRECTOR: LARRY PEERCE / SCREENPLAY: NICHOLAS E. Perhaps that is not quite true, but there are enough true stories like the fictional one in "The Incident" to suggest that sometimes it might be. ![]() So the point is pretty obvious: The average American, of whatever walk of life, class, race or religion, doesn't want to get involved. But other scenes don't work so well the Negro man ( Brock Peters) allows his anger to rise magnificently to their taunts, but then the script calls for him to back down, and this is not at all convincing. Some of the confrontations work pretty well, as when the soldier from Oklahoma, who has his arm in a cast, balances neatly between his Southwestern pride and the clear realization that New York subways are of another universe. They start with the easy ones (the bum and the homosexual) and move up to the tough cases (the soldiers). Then the terrorists move around the car, duly terrorizing each character by turn. The first half introduces the characters.the second half is the. The characters are introduced in short scenes before they get on the subway car (the teenagers neck, the married couples quarrel, etc.). Two psychos (Martin Sheen and Tony Musante) terrorize the passengers of a NYC subway car. ![]() They only forgot the Indian, the hillbilly, the Irishman and the cop. There are a young married couple with a daughter, two necking teenagers, two soldiers home on leave, a Negro couple (she a social worker, he fed up with Whitey), an elderly Jewish couple, a gentle former alcoholic, a homosexual, a nagging wife and her henpecked husband and a bum (asleep). The citizens are average citizens indeed they could have been chosen from old Gallup Polls to represent the various Official Man on the Street stereotypes. The outlaws are two suitably tough hoods who roll a guy in an alley and then take the subway to Times Square. ![]()
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